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Long established as the #1 reference on pediatric cardiac anesthesia, this definitive text is now in its thoroughly revised Fourth Edition. The book provides comprehensive guidelines on preoperative evaluation, perioperative management, and postoperative care for all pediatric cardiac surgical procedures and includes quick-reference summaries of perioperative management for each procedure.

For this edition, Dr. Lake is joined by an eminent British co-editor, Peter D. Booker, and an international group of distinguished contributors. Coverage includes cutting-edge information on echocardiography, fast tracking, and the newest surgical techniques. New chapters cover teaching, practice management, anesthesia for cardiac MIS, and hemostasis, coagulation, and transfusion.

• Sales Rank: #746866 in Books
• Published on: 2004-12-07
• Original language: English
• Number of items: 1
• Dimensions: 11.14" h x 1.66" w x 8.82" l, 4.53 pounds
• Binding: Hardcover
• 600 pages

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[O687.Ebook] Download The Oxford Handbook of the Eighteenth-Century Novel (Oxford Handbooks), by J. A. J. Downie

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Although the emergence of the English novel is generally regarded as an eighteenth-century phenomenon, this is the first book to be published professing to cover the 'eighteenth-century English novel' in its entirety. This Handbook surveys the development of the English novel during the 'long' eighteenth century-in other words, from the later seventeenth century right through to the first three decades of the nineteenth century when, with the publication of the novels of Jane Austen and Walter Scott, 'the novel' finally gained critical acceptance and assumed the position of cultural hegemony it enjoyed for over a century. By situating the novels of the period which are still read today against the background of the hundreds published between 1660 and 1830, this Handbook not only covers those 'masters and mistresses' of early prose fiction-such as Defoe, Richardson, Fielding, Sterne, Burney, Scott and Austen-who are still acknowledged to be seminal figures in the emergence and development of the English novel, but also the significant number of recently-rediscovered novelists who were popular in their own day. At the same time, its comprehensive coverage of cultural contexts not considered by any existing study, but which are central to the emergence of the novel, such as the book trade and the mechanics of book production, copyright and censorship, the growth of the reading public, the economics of culture both in London and in the provinces, and the re-printing of popular fiction after 1774, offers unique insight into the making of the English novel.

• Sales Rank: #866548 in Books
• Published on: 2016-09-28
• Original language: English
• Number of items: 1
• Dimensions: 6.90" h x 1.40" w x 9.80" l, .0 pounds
• Binding: Hardcover
• 580 pages

About the Author

J. A. Downie, Professor of English, Goldsmiths, University of London

J. A. Downie is Professor of English at Goldsmiths, University of London, where he was formerly Dean of the Faculty of Arts and Pro-Warden (Academic). The author of five monographs, he has also edited three collections of essays, as well as editions of Defoe's political and social writings for Pickering & Chatto's The Complete Works of Daniel Defoe. For many years he was the editor of the section of The Scriblerian devoted to Defoe and the Early Novelists. His most recent book is A Political Biography of Henry Fielding.

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[L250.Ebook] PDF Ebook Life Lessons: Two Experts on Death and Dying Teach Us About the Mysteries of Life and Living, by Elisabeth Kubler-Ross, David Kessler

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A Message From Elisabeth

We all have lessons to learn during this time called life; this is especially apparent when working with the dying. The dying learn a great deal at the end of life, usually when it is too late to apply. After moving to the Arizona desert in 1995, I had a stroke on Mother's Day that left me paralyzed. I spent the next few years at death's door. Sometimes I thought death would come within a few weeks. Many times, I was disappointed that it did not come, for I was ready. But I have not died because I am still learning the lessons of life, my final lessons. These lessons are the ultimate truths about our lives; they are the secrets to life itself. I wanted to write one more book, not on death and dying but on life and living.

Is this really how I want to live my life?
Each one of us at some point asks this question. The tragedy is not that life is short but that we often see only in hindsight what really matters.
In Life Lessons, her first book on life and living, Elisabeth Kübler-Ross joins with David Kessler to guide readers through the practical and spiritual lessons we need to learn so that we can live life to its fullest in every moment. Many years of working with the dying have shown the authors that certain lessons come up over and over again. Some of these lessons can be difficult to master, but even the attempts to understand them are deeply rewarding. Here, in fourteen accessible chapters, from the Lesson of Love to the Lesson of Happiness, the authors reveal the truth about our fears, our hopes, our relationships, and, above all, the grandness of who we really are.

• Sales Rank: #469900 in Books
• Brand: Scribner
• Published on: 2000-11-21
• Released on: 2000-11-21
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x .85" w x 5.50" l, .87 pounds
• Binding: Hardcover
• 224 pages

Features

• Used Book in Good Condition

Amazon.com Review
After experiencing a paralyzing stroke in 1995 and facing her own mortality, Elisabeth Kübler-Ross (author of the renowned On Death and Dying) realized she had some unfinished business to take care of. "I wanted to write one more book, not on death and dying, but on life and living," she explains. So she joined forces with coauthor David Kessler, a leader in the field of hospice care, and together they wrote about the lessons we can learn about living from those who are dying. As Kessler explains in his introduction, "The dying have always been teachers of great lessons, for it's when we are pushed to the edge of life that we see most clearly."

In days gone by, the community would have gathering places where children and adults listened to elders tell their stories of life's challenges and the meaning they found in life. In lieu of that kind of extended community, the authors offer this book, filled with stories from the edge. Then, like fireside elders, they weave these personal stories into themes, such as living authentically, the importance of play, finding one's power, loving relationships, and self-compassion. One cannot say enough about the lasting value of this beautifully written and carefully rendered book. This is your chance to see life from the 20/20 vision of hindsight. In the end what will we value most? Here are some hints: the days we surrendered and became calm, the times we healed that which was broken, and of course all the moments we opened ourselves to love. --Gail Hudson

From Publishers Weekly
Blending the words of two authors is a precarious undertaking, particularly when the two voices are as strong and well-known as those of K bler-Ross and hospice-care leader Kessler (The Rights of the Dying). Given the similarity in their viewpoints as experts on death and dying, this collaboration seems logical, but unfortunately the alternating entries result in repetitive, rambling prose that lacks punch. The "lessons from the edge of life" culled from the authors' patients include letting go of anger, guilt and fear; learning patience; mourning and accepting loss; playing, laughing and enjoying life; and surrendering to what can't be changed. Although some of the brief personal stories are poignant, the underlying precepts are not new. Kessler and K bler-Ross offer only familiar aphorisms: "live every day to its fullest," "each of us has the power of the universe within us," happiness is a state of mind we can choose, suffering is an opportunity for growth, "life is a school, complete with individualized tests and challenges." Such lessons may be true and useful, but here they come off as trite. K bler-Ross has been ill for many years, suffering two strokes that left her partially incapacitated and may have made writing difficult, but the brief glimpses into her personal journey through illness and near death cry out for elaboration. Mentions of coping with a home health-care worker who stole from her, a nurse who labeled her "combative" and friends who must help this previously vigorous woman navigate the world in a wheelchair indicate a much fuller, richer story than the expanded platitudes offered here, which are unlikely to widen either author's readership. (Nov.)
Copyright 2000 Reed Business Information, Inc.

From Booklist
The psychiatrist whose On Death and Dying (1970) put issues about life's end on the contemporary cultural agenda teams with a leader in the hospice movement in her first book on living. Its 14 thoughtful chapters lead readers from the "Lesson of Authenticity" to the "Lesson of Happiness" by means of illustrative anecdotes from the lives of both authors' patients. Rather than writing in a unitary voice, Kubler-Ross and Kessler speak separately, and each writer's portions of the text are signed with her or his initials. The observations of the two sometimes complement very powerfully, especially those that come from the time in 1995 when Kubler-Ross suffered a stroke that brought her perilously close to death. She recovered to write that life lessons are opportunities to rid ourselves of negativity and find the best in ourselves and others. As the collaborators write about the lessons of fear, guilt, anger, surrender, forgiveness, and the rest, they teach that true healing extends beyond physical repair to the mending of spirits and souls. Whitney Scott
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

3 of 3 people found the following review helpful.
The ultimate in peace, understanding and compassion for creating and living a life that flows with acceptance
By Jim
It's really difficult for me to adequately describe how wonderful this book is. I had gone through severe emotional turmoil and searched for understanding and guidance for a year before I found "Life Lessons" As a consequence, I highlighted many paragraphs and sentences in this book and reread some of them daily. When I finish with reading the book's highlighted areas, I start over from the beginning again. This book was a lifesaver. It is absolutely non-judgmental, compassionate and inspires peace for the soul. I cannot recommend it highly enough.

3 of 3 people found the following review helpful.
One of the Greatest Books of My Life
By Jessica
When I went through the toughest break up of my life, I read this book on my ipad. I needed to find out what lessons could be learned from all my pain and take a fresh look at my life to see if I was going in the direction that would cultivate highest self. Reading about life lessons yelled me start to heal. I learned so much I bought it as a paperback and gave it to my newly ex-boyfriend so he could get the most out of our breakup as well and grow from it as I was starting to do. He was thankful and read it happily. We enjoyed a few conversations afterward about our takeaways.

Here are some of my favorite quotes:

"On these journeys we may be given a lot, or just a little bit, of the things we must grapple with, but never more than we can handle. Someone who needs to learn about love may be married many times, or never at all. One who must wrestle with the lesson of money may be given none at all, or too much to count."

"When we face the worst that can happen in any situation, we grow. When circumstances are at their worst, we can find our best."

"You undoubtedly have faults, but they are not you. You maybe have a disease, but you are not your diagnosis. You may be rich, but you are not your credit rating... All these things are changeable. There is a part of you that is indefinable and changeless, that does not get lost or change with age, disease, or circumstances. There is an authenticity you were born with, have lived with, and will die with."

This book teaches so much and I have read my highlighted versions over and over again. This is a book you either keep easily accessible or buy electronically so you have it everywhere you go.

3 of 3 people found the following review helpful.
Powerful and wise!
By Niki Collins-queen, Author
Elizabeth Kübler-Ross joins with David Kessler in their book "Life Lessons: Two Experts on Death and Dying Teach Us About the Mysteries of Life and Living" to guide us through life lessons and live fully in every moment.
"Life Lessons" is Elizabeth's eighteenth book. It's a special gift as it's the last book she wrote before her death in 2004. She had a stroke on Mother's Day in 1995 that left her paralyzed and next to death's door for many months. But she did not die. She says she's still learning the lessons of life. God is shrewd; her head was not affected by the strokes. She can't use her left leg and arm but she can talk and think. It's her final lesson. She must work on receiving, on learning to say thank you. To be nurtured rather than nurturing. Throughout her life, she gave and gave, but never learned to receive. She must learn patience and surrender.
Elizabeth says each of us has a Mother Teresa and a Hitler. The Mother Teresa is the best in us and the Hitler is the worst in us. The goal in life is to find the best, get rid of the worst and be authentic by standing in our truth. Admitting we have the capacity to be inauthentic and carry negativity is essential so we can work on the problem and release it. It's not always easy to find out who we are authentically. The reality of the world is that some relationships don't work out; there are supposed to be disagreements and disappointments.
David says the grandest kind of perfection of who we are includes being honest about our dark side and imperfections. Elizabeth says the windstorms of life, makes us who we are. We are here to heal one another. Most of us spend a lot of energy keeping a lid on our unfinished business. We want unconditional love. To be loved for who we are rather than what we do or don't do. However, when we feel unloved, it is not because we are not receiving love; it's because we are withholding love from ourselves and others. Love has to come from within. We can't solve all our loved ones problems but we can try to be there for them.
In working with the dying and the living it became clear to Elizabeth and David that most of us are challenged by the same lessons: authenticity, love, relationships, loss, power, guilt, time, fear, anger, play, patience, surrender, forgiveness and happiness. The fourteen chapters reveal the truth about theses topics, show we are put on the earth to learn the lessons, we are not alone and we are all connected. Also to watch love grow and to see how relationships enrich us.
I attended one of Elizabeth's five-day Living, Dying and Transition workshop in the early 80s. It had a profound effect on me and changed how I viewed the world. She showed us how everyone has the capacity to love others unconditionally and that it is our unfinished business that keeps us from doing so. In her workshop she created an environment where we were encouraged to express our hurt and rage in an atmosphere of love and acceptance, so we could be done with it. Feelings were not talked about but felt. If sad, we cried; if angry, we were given a rubber hose and an old telephone book and told, "Have at it!" I was skeptical about what this outpouring of negativity would accomplish. Yet it worked. I was amazed how angry, depressed people transformed themselves into radiant, loving persons right before my eyes. I realized in this workshop that we are all connected and that our life stories are much the same.

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Enriched Classics offer readers accessible editions of great works of literature enhanced by helpful notes and commentary. Each book includes educational tools alongside the text, enabling students and readers alike to gain a deeper and more developed understanding of the writer and their work.

Les Miserables tells the story of ex-convict, Jean Valjean, and his valiant struggle to redeem his past. A potent social document of the poverty, ignorance, and brutality of man, Les Miserables is also a rousing adventure story, famous for such unrivaled scenes as the brilliant depiction of the Battle of Waterloo. Victor Hugo reached the peak of his powers in this far-reaching novel of nineteenth-century France. Here are combined the dramatic skills of Hugo the playwright, the rich imagination of Hugo the poet, and the compassion of Hugo the man.

Enriched Classics enhance your engagement by introducing and explaining the historical and cultural significance of the work, the author’s personal history, and what impact this book had on subsequent scholarship. Each book includes discussion questions that help clarify and reinforce major themes and reading recommendations for further research.

Read with confidence.

• Sales Rank: #614763 in eBooks
• Published on: 2012-12-18
• Released on: 2012-12-18
• Format: Kindle eBook

About the Author
The best-known of the French Romantic writers, Victor Hugo was a poet, novelist, dramatist, and political critic. Hugo was an avid supporter of French republicanism and advocate for social and political equality, themes that reflect most strongly in his works Les Mis?rables, Notre-Dame de Paris (The Hunchback of Notre-Dame), and Le Dernier jour d'un condamn? (The Last Day of a Condemned Man). Hugo's literary works were successful from the outset, earning him a pension from Louis XVIII and membership in the prestigious Acad?mie fran?aise, and influencing the work of literary figures such as Albert Camus, Charles Dickens, and Fyodor Dostoevsky. Elevated to the peerage by King Louis-Philippe, Hugo played an active role in French politics through the 1848 Revolution and into the Second and Third Republics. Hugo died in 1885, revered not only for his influence on French literature, but also for his role in shaping French democracy. He is buried in the Panth?on alongside Alexandre Dumas and ?mile Zola.

Most helpful customer reviews

23 of 23 people found the following review helpful.
Good classroom edition
By K. Thompson
I like teaching this novel, but I don't have time to teach the full text. This abridgement does a good job of capturing the fullness of the story and the characters in about 40% of the pages. I like the historical timelines at the beginning and the Notes sections at the end. My students find the novel easy to manage, too.

25 of 27 people found the following review helpful.
ABRIDGED - falsely labeled
By lovetheclassics
I am very disappointed that the copy is advertised as "complete and unabridged" - right on the cover! This is definitely NOT complete or unabridged. Les Miserables is a fantastic book, but I would not recommend this publication by "Enriched Classics". Nor will I buy any from this publishing company again. I believe they should label their books honestly and correctly. If you want to read an unabridged version, do not buy this book.

41 of 47 people found the following review helpful.
Trashy, Inept, and Deceptive Treatment of a Classic
By Philip Coates
Nowhere in this edition does it say whether the book is abridged or unabridged. Nowhere does it say who the translator is. Wouldn't these be basic facts a customer is entitled to know?

Rather ironic omissions for an "enriched" edition allegedly full of supplementary helpful information.

Even worse, I strongly suspect (from another version of this 'enriched' edition on Amazon) that the translator is Charles Wilbour, a man who seems to always pop up as the translator of many French novels, but a man who should never be allowed near the French language:

As someone who knows French, I counted on just the first half page -eight- different unclear - or just plain wrong - translations. Some of them render a French word into a little known,stilted, or archaic English word.

That's when I said "Ah! This has to be Wilbour" . . . And I tossed the book with great force at the radiator.

See all 36 customer reviews...

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[X789.Ebook] PDF Download ESV Reader's Bible (Black), by ESV Bibles by Crossway

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The ESV Reader?s Bible was created so that you can read the books of Scripture precisely as they were originally written. Verse numbers, section headings, and translation footnotes are helpful navigational and interpretive tools, but they are also relatively recent conventions. In the Reader?s Bible they have been removed from the Bible text, and the result is a new kind of Bible-reading experience in a volume that presents Scripture as one extended storyline.On the top of each page a verse range is included for orientation. Other features include a single-column text setting, readable type, and a book-like format. The Reader?s Bible is a simple but elegant edition, and is perfect for devotional reading, for extended Bible reading, or for focusing on the overarching narrative of the Bible.Black letter text, with no verse numbers or footnotesSingle-column, paragraph format

• Sales Rank: #127464 in Books
• Color: Black
• Brand: Crossway Books
• Published on: 2016-09-30
• Original language: English
• Number of items: 1
• Dimensions: 8.80" h x 1.90" w x 6.00" l, 2.20 pounds
• Binding: Paperback
• 1840 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Enjoyment
By Sue B. Graham
I love this version. Reading just flows along

1 of 2 people found the following review helpful.
Wonderful format - average craftsmanship/build quality
By Kono
This may be the very first time I have taken the time to write a review. I literally did weeks of research and narrowed it down to this bible and basically the Cambridge Clarion. I realize the price difference on the two are pretty extreme, so because of this I went with the ESV Readers Bible. For a $70+ bible I had some expectations. I did get the genuine leather addition. For starters the format is as expected - single column with close line matching to avoid ghosting on the page. I enjoy the verse numbers being at the top of each page and the red marks for chapter breaks. Size is comfortable in the hand. Leather is good quality and flexible - not goatskin flexible obviously. Overall I rate this a 4 out of 5 stars as there are a few drawbacks and craftmanship concerns. First off, the ESV logo on the binder is off center on the binding - enough for me to notice it. Yes this is not a huge deal but this is also not a $35 bible either. Also, there is only the leather sorrounding the bible. There is no page/fabric glued or sewn on either sides of the leather as you open the bible. Literally just a flap of leather surrounding the smyth sewn pages. Owning several bibles, I was surprised to see that about the leather as I feel it is not as structurally sound without the inner liner. The leather is also slightly off center and not equally centered and paralleled to the pages when you open it up - basically the leather overhanging past the pages is not equal on all sides. This is disappointing, but it's not that "off" to drive me that crazy. I also, am not one to complain and cause issues or go through the stress of trying to return the bible.

Just wanted to share my thoughts, so others could make an informed decision about purchasing this bible. It's great to read, but think they could tighten up the quality for the price.

9 of 9 people found the following review helpful.
Great Readers Edition, wonderful soft Top Grain Leather with quality binding!
By T. Howe
This review is for the Top Grain Leather edition, I own the hardback version as well and both are great for the price! I'm very impressed with the quality of the leather and binding for this price range. The leather is very soft and flexible.

It's not easy to find a quality leather Bible these days for less than $120, the binding on this Bible reminds me of the Abba leather covers used by the old Nelson Signature Series Bibles.

The line matching is spot on in both this edition and the hardback edition, this really helps keep show through to a minimum.

While the quality of this Bible won't stack up to an Allen's Bible or a Schuyler Bible, for the price I don't think you'll find a nicer binding. I was impressed they went with such a limp edge-lined binding, you usually don't see edge-lined bindings at this price point.

I purchased 5 of these and I will mention that some of the Bibles don't have as deep of a grain pattern as the one shown. Keep in mind since this is natural leather the pattern and grain will be different on each Bible.

If you're not familiar with the "Readers Edition", please keep in mind this is a "no frills" Bible; there are no verse numbers, subject headings, book introductions, cross references, translators notes, concordance etc. There are four maps in the back, but that's it. This Bible is meant to help you immerse yourself in the actual story of the Bible.

While I wouldn't want this Bible as my "only" Bible, it's fantastic for reading, which is what it was designed for! You'll find it's easy to get lost in the story and read much longer than you might usually read a "normal” Bible.

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[R166.Ebook] Ebook The Oxford Book of Essays (Oxford Books of Prose & Verse), by John Gross

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The essay is one of the richest of literary forms. Its most obvious characteristics are freedom, informality, and the personal touch--though it can also find room for poetry, satire, fantasy, and sustained argument.

All these qualities, and many others, are on display in The Oxford Book of Essays. The most wide-ranging collection of its kind to appear for many years, it includes 140 essays by 120 writers: classics, curiosities, meditations, diversions, old favorites, recent examples that deserve to be better known. A particularly welcome feature is the amount of space allotted to American essayists, from Benjamin Franklin to John Updike and beyond.

This is an anthology that opens with wise words about the nature of truth, and closes with a consideration of the novels of Judith Krantz. Some of the other topics discussed in its pages are anger, pleasure, Gandhi, Beau Brummell, wasps, party-going, gangsters, plumbers, Beethoven, potato crisps, the importance of being the right size, and the demolition of Westminster Abbey. It contains some of the most eloquent writing in English, and some of the most entertaining.

• Sales Rank: #518586 in Books
• Published on: 2008-12-15
• Original language: English
• Number of items: 1
• Dimensions: 5.10" h x 1.80" w x 7.70" l, 1.61 pounds
• Binding: Paperback
• 704 pages

Review
A vast, wonderful company. Michael Foot,The Observer, From the thousands of essays and pieces available nobody would choose the same...but I doubt if anyone would have chosen better Frank Kermode,Independent on Sunday The selection has nothing in it that is not of the top class...John Gross has the shrewdest possible eye for what practitioners in the genre can do best with a sense of form and culture, of humour and balance...Every essay here is a pleasure to read. John Bayley, Times Literary Supplement John Gross's achievement is to see the essay as an essentially modern medium which addresses us as directly and potently as the newspaper. Barbara Everett, The Independent

About the Author

John Gross was a major editor and critic who worked for the TLS, the New York Times, and the Sunday Telegraph during his illustrious career.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By E. Slyman
Thanks

14 of 14 people found the following review helpful.
Fine selection of great pieces.
By E. Hawkins
Gross was faced with a tough task when asked to edit this volume: how to cram the history of a form that is so flexible, and so widely used, into a compact volume? Essays have been selected from the seventeenth century on, and Gross has included writers from the USA as well as Britain. Almost his only concession has been the exclusion of any writer born after WW2. Plagued by so much choice, he has done a great job. Of course, there are omissions. Several writers from 'The New Yorker' have their say, but there was no room for its two best essayists, A. J. Liebling and Joseph Mitchell. And the abscence of Kenneth Tynan is lamentable: his essay on the folly of the Lord Chamberlin, the Censor of Pays in Britain, is far better than that of Joseph Conrad, a brilliant novelist but an undistiunguished essayist, which is included here. But everyone will find a few favourites missing in any book of this kind. In fact, Gross has sometimes tried to be too representative, to include too many discrete essays, with the result that he seems to have plumped for very short pieces. Perhaps half a dozen writers seem to have been included simply because they are or were great writers, and not because they wrote great essays. Others are represented by inferior pieces, largely for reasons of space -- space often taken up by lesser writers. E.B. White, for instance, gets just over two pages for a pretty run-of-the-mill essay, where he would be better served by 'Death of a Pig' or 'Farewell, my lovely!', both of which are far better than, say, anything by Joseph Epstein. And John Updike's 'The Bankrupt Man' hardly gives an idea of what he's capable of. But these are minor quibbles. Anyone who enjoys reading essays will find countless hours of enjoyment in this book: essays by Samuel Johnson, Walter Bagehot, G. K. Chesterton, Max Beerbohm, John Jay Chapman, and many others, are classics that repay many re-readings.

16 of 18 people found the following review helpful.
Fine selection of great pieces.
By E. Hawkins
Gross was faced with a tough task when asked to edit this volume: how to cram the history of a form that is so flexible, and so widely used, into a compact volume? Essays have been selected from the seventeenth century on, and Gross has included writers from the USA as well as Britain. Almost his only concession has been the exclusion of any writer born after WW2. Plagued by so much choice, he has done a great job. Of course, there are omissions. Several writers from 'The New Yorker' have their say, but there was no room for its two best essayists, A. J. Liebling and Joseph Mitchell. And the abscence of Kenneth Tynan is lamentable: his essay on the folly of the Lord Chamberlin, the Censor of Plays in Britain, is far better than that of Joseph Conrad, a brilliant novelist but an undistiunguished essayist, which is included here. But everyone will find a few favourites missing in any book of this kind. In fact, Gross has sometimes tried to be too representative, to include too many discrete essays, with the result that he seems to have plumped for very short pieces. Perhaps half a dozen writers seem to have been included simply because they are or were great writers, and not because they wrote great essays. Others are represented by inferior pieces, largely for reasons of space -- space often taken up by lesser writers. E.B. White, for instance, gets just over two pages for a pretty run-of-the-mill essay, where he would be better served by 'Death of a Pig' or 'Farewell, my lovely!', both of which are far better than, say, anything by Joseph Epstein. And John Updike's 'The Bankrupt Man' hardly gives an idea of what he's capable of. But these are minor quibbles. Anyone who enjoys reading essays will find countless hours of enjoyment in this book: essays by Samuel Johnson, Walter Bagehot, G. K. Chesterton, Max Beerbohm, John Jay Chapman, and many others, are classics that repay many re-readings.

See all 12 customer reviews...

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[P590.Ebook] Free Ebook Rules of the Road A Plaintiff Lawyer's Guide to Proving Liability, by Rick Friedman, Patrick Malone

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Rules of the Road is America's best-selling text on proving liability. In the five years since it's original release, it has helped lawyers throughout the country win six, seven, and eight figure verdicts in cases with difficult liability. The authors have now honed this ground-breaking work in this second edition. In addition to revisions throughout the book clarifying concepts in the first edition, Friedman and Malone have added six new chapters and three appendices. They cover the differences between rules and principles, how to troubleshoot your rules, and hot to fit Rules of the Road techniques into your case themes. They discuss how to use Rules earlier in the case, through the motions in limine, and voir dire. They include samples of rules from a variety of cases, including medical malpractice, product liability, insurance claims cases, motor vehicle cases and more. In addition to their own experiences in the last five years of trying cases with the Rules of the Road technique, the authors include contributions from other successful attorneys, and they teach you how to use these tools to win your own trials.

• Sales Rank: #424490 in Books
• Published on: 2010
• Number of items: 1
• Binding: Hardcover
• 321 pages

Features

• Six New Chapters
• New "Rule" Criteria to Make Rules Bulletproof
• How to Use Rules in Medical Malpractice, Products Liability, Bad Faith and Premises Liability
• How to Use Rules in Voir Dire and Motions in Limine
• How to Use Rules in Auto Cases

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8 of 8 people found the following review helpful.
A must for any trial attorney
By Stuck in Michigan
There should be 4 books in your shelf: Damages, Rules of the Road, Polarizing the Case and Reptile. Rules is a must no matter what type of personal injury case you are taking to trial. I also recommending reading Jim Perdue's books.

54 of 59 people found the following review helpful.
more essential than David Ball on Damages !
By Trial Lawyer
Over the last 5 years I only battle against lawyers paid by the big business insurance industry. My practice is insurance breach of contract law and auto. I hold myself out as a trial lawyer because I do not accept the crap offers from the claims assessment software that every insurer uses to evaluate human life. To that end, in order to do right by your clients you must challenge the insurers of your clients or the people who harm your clients (we can not sue the insurer of the negligent driver directly) And you must be armed with proven techniques that work. That is what this book is, one of those books you tab, highlight, copy, reuse, a reference tool. This book is a must, an absolute must for anyone dealing with insurers in any capacity. It is chocked full of useful, practicable information that you can use right away. It teaches you how to teach a jury on what 'reasonable' means when they delay and deny meritorious claims. If you are a mill and settle every case without filing, accepting the low ball offers, not doing right by your client, etc., then just keep doing what you've always done and you'll get what you always gotten. But if you correct the injustices, fight for what is right, are on the side of society that helps people, not corporations, then you must by this book and use it. I have read all of David Ball's books, attended ATLA juror bias college, conventions, books on closing, jury bias, Jury Works, TLC, NITA, etc. and with all of that I found this book very useful. I refer to it before every deposition, trial, etc. I do not know the authors of the book, (I wish I did) but they are super accomplished trial lawyers. I speak from my heart on a book that will help people who care about people - and that means winning jury trials because that is the only check on our society. Remember what Thomas Jefferson said, "the right to a jury trial is more important that the right to vote." If you practice insurance bad faith law, auto law, or any law where insurance is involved, you must own this book. (...)

2 of 2 people found the following review helpful.
must have/read book
By Smarty
This is a must have book for attorneys. It shows you how to reduce the complexity of your case and lay out simple persuasive rules that a jury can follow.

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Rules of the Road A Plaintiff Lawyer's Guide to Proving Liability, by Rick Friedman, Patrick Malone PDF

Rules of the Road A Plaintiff Lawyer's Guide to Proving Liability, by Rick Friedman, Patrick Malone PDF