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In 1855, Walt Whitman published — at his own expense — the first edition of Leaves of Grass, a visionary volume of�twelve poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, which eschewed the general society and culture of the time, the�writing is distinguished by�an explosively innovative free verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, the monumental work was condemned as "immoral." Whitman continued evolving Leaves of Grass despite the controversy, growing his influential work decades after its first appearance by adding new poems with each new printing.
This edition presents the original�twelve poems from Whitman's premier 1855 publication of Leaves of Grass. Included are some of the greatest poems of modern times: "Song of Myself," "I Sing the Body Electric," and "There Was a Child Went Forth," works that continue to�upset conventional notions of beauty and originality even today.
- Sales Rank: #4817 in Books
- Brand: Whitman, Walt
- Published on: 2007-02-27
- Released on: 2007-02-27
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 5.00" w x .25" l, .22 pounds
- Binding: Paperback
- 128 pages
From Publishers Weekly
As scholarship has made its importance to American letters more manifest, editions of the 1855 version of Whitman's masterpiece have multiplied. This one, prepared in honor of the poem's 150th anniversary, will be hard to beat. Edited by major Americanist Reynolds (Walt Whitman's America, etc.), it comes as close as possible, without being a facsimile, to reproducing Whitman's original text, which he famously self-published. The familiar litho of the young rough with open collar opens the book, and Reynold's terrific and informative afterword closes it, along with contemporary reviews (some written by Whitman himself) and Emerson's famous letter ("I greet you at the beginning of a great career..."). Those who know Whitman only through the beautiful but bloated 1892 "deathbed" edition of Leaves of Grass will find here a lean, searing celebration of self.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 6 Up-By Walt Whitman. Narrated by Flo Gibson.
Copyright 1998 Reed Business Information, Inc.
Review
Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books
Winner of the 2014 Type Directors Club Communication Design Award
Praise for Leaves of Grass:
"I am not blind to the worth of the wonderful gift of Leaves of Grass. I find it the most extraordinary piece of wit and wisdom that America has yet contributed. . . . I rubbed my eyes a little to see if this sunbeam were no illustion; but the solid sense of the book is a sober certainty.”
—Ralph Waldo Emerson
�
Praise for Penguin Drop Caps:
"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
—Fast Company
“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings
"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli,�The New York Times
"Drool-inducing."
—Flavorwire
"Classic reads in stunning covers—your book club will be dying."
—Redbook
Most helpful customer reviews
115 of 116 people found the following review helpful.
A classic volume in my home
By John Stagaman
I picked up this book in the Spring of 1990 while browsing in a bookstore. I'm no student of poetry, in fact I only purchased it because I randomly flipped it open and was enamored with the passage I found. I learned that the passage is from "Song of Myself" and have read both that epic poem and the entire collection through dozens of times.
I didn't know exactly what I had purchased that day. But over time find that turning to Whitman's poetry and prose has been a source of comfort. I find myself in his writings, and find that his messages apply clearly in the present day. This volume is a pretty hefty way to start with Whitman--you get everything from the start. If you choose to buy it, I suggest randomly exploring it--stopping here and there to read a poem. I spent weeks exploring that way, only later did I read everything from start to finish. The simplicity of the writing and the clarity of meaning is remarkable.
The Library of America edition is--in itself--beautiful. Well bound, fine paper, still in excellent condition after 15 years of use. When reading it, it is impossible not to appreciate the caliber of it's manufacture: the choice of paper, inks, typefaces, binding, etc. contribute to pleasurable experience. I have a small number of other Library of America volumes, and each is exquisitely assembled and a joy to read. They are not inexpensive, but I'd argue that they are most definitely worth every penny.
103 of 105 people found the following review helpful.
What More Can Be Said?
By M. Meszaros
It's difficult to think of something appropriate to say about a man who spent his life trying to express the panorama of humanity through the lense of his own heart. From a drop of blood to the grandeur of a shipyard or a continent, he takes all readers on a journey wild with raving, raging, sorrow, longing, humbleness and pride. At once he is totally modern and yet rife with history.
For readers new to poetry, Walt Whitman is wonderfully accessible. One can pick up Leaves of Grass and virtually start and stop anywhere and pick up something wonderful every time.
Not to be missed.
89 of 93 people found the following review helpful.
The Best American Poet's Best Book and The Best Living American Critic
By A Customer
The 1855 edition of Leaves of Grass was the first and the best.
When I was young I bought the big deathbed edition, not knowing about the 1855 one. I became a Whitman disciple. Either version is a good place to start, but the 1855 is the best version of the early poems and a fine introduction to W.W.
The 1855 version was ignored for quite a long time in Whitman studies, but started recieving critical attention after Malcolm Cowley worked to revive it in the 1950's. It was his version that used to be available, until recently, as a Penguin Classic.
So whats the difference between 1855 and the Deathbed one?
Throughout his lifetime, Whitman not only expanded LOG, his only book, with gobs of inferior-- and sometimes truly awful-- poems (especially when he was older) but he also revised many of his early poems for later editions-- revising them almost always for the worse.
The 1855 edition is realtively short and reflects the diminutive, obscure quality of the original. The poems are full of Whitman's original fire before he tinkered with them.
Bloom, the author of the introduction, is in the estimation of many America's best living literary critic. He profoundly knows and adores Walt Whitman.
If you have the slightest interest in reading American Poetry,drop whatever you are reading (unless it is perhaps Dickinson or Emerson) and get this book. It's still America's best. Nothing since has been (and nothing will ever be) better. The only American poets after Whitman who mattered were deep readers of LOG: Hart Crane, Wallace Stevens, TS Eliot, John Ashbury. (A Ginsberg, C. Sandberg, and O. Paz resemble him superficially but they are are wonks.)
If you are interested later in getting all of Whitman's poems, skip all the in-between editions and get the 'Deathbed' Version, which has many good and important poems like 'When Lilacs Last in The Dooryard Bloomed' and 'As I Ebbed with the Ocean of Life'-- as well as many bad ones, to go with your 1855.
The Deathbed Version (Whitman approved it as the final Version of his one book as he lay dying) is probably close to ten times as long as the 1855 edition.
But Whitman got it right in 1855.
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